genom att gnugga remsorna varma. That would be my most basic justification for what I allow myself. Läs mer om Emily Roysdon. KE: As you mentioned earlier, you have curated a group exhibition where you developed the concept ecstatic resistance, which was also the title of the project. ER: They all explicitly deal with organization, and sometimes even performing organization. Håret på kroppen har olika växtfaser, en del där de växer och en del där de ligger och avvaktar. Sol og måne, sol, måne ; Soloppgang 08:23 ; Månen opp 15:54, solnedgang 15:07.
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ER: That is interesting, because I recently recognized that every single time I start a project I start from zero. ER: Im not fully an activist a lot of my friends are - and at certain points that has troubled. I do think we can shift the way things around us are understood. I think now that Im continuing in everything equally it is something I negotiate because of disciplinary boundaries that other people use to categorize and understand. And I was worried about that with Ecstatic Resistance. Tyvärr är vax i burk lönestatistik uppsala kommun en väldigt kladdig procedur och innebär mer arbete än vid färdigköpta remsor. It is very important for me to relate what I do to people around. But it is also much more practical about activating a certain vocabulary around work. So even my writing and my curatorial work are grounded in ideas about movement and movements. And it is also because we have shared politics, investments and visions so we can talk about things in a way where I dont have to explain certain things and she trusts. In the text you wrote for the show it said: Ecstatic Resistance is a project, practice, partial philosophy and set of strategies. And if she would be trained more than she is, it wouldnt work.